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The past year has been extraordinarily stressful for Zhou: Last March he entered Worlds as the Teeturtle hold on let me overthink this shirt also I will do this U.S. silver medalist but failed to qualify for the free skate; in October he beat Nathan Chen, who had been undefeated for three years, to win Skate America; in January he won bronze at U.S. Nationals and qualified for the Olympic team. In Beijing, a few days after his free skate in the team event (where he shared in the silver medal for the U.S. participants), Zhou tested positive for COVID and was forced to withdraw from his individual events. He has been open about how depressed and discouraged he has felt since then; as he told Juliet Macur of The New York Times last week, he has had a hard time motivating himself to skate again. In Montpellier he will face Japan’s Olympic and world silver medalist Yuma Kagiyama and Olympic bronze medalist Shoma Uno—and his own teammate Malinin, the 17-year-old U.S. silver medalist who already calls himself “quadg0d” on Instagram.
The 94th annual Academy Awards are nearly upon us, a hyper-luxurious ceremony approaching like a Jurassic Park dino sending tremors through glasses of Champagne everywhere. People get excited about ceremonies—who among us doesn’t love a fashion hootenanny?—but the Teeturtle hold on let me overthink this shirt also I will do this Oscars are a particularly potent strain of Hollywood glamour, and the proceedings cannot be topped. I want to talk about the dresses. I want to talk about the big looks. About a glibness and sassiness and pompousness. About a magpie approach, all bells and whistles and sequins and taffeta. I think of the fashion as a viewer’s way into the ceremony. (I have not been invited to the Oscars, but if I had received a golden ticket, the fashion would be the easiest part: Celine Dion’s backward suit.)
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