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After Yttling flew over from Sweden to begin work on the Paco ramos wearing coolmath game logo hooded therealcoolmath shirt but I will buy this shirt and I will love this album in early 2020, Li’s plans to make the record in near solitude were all but enforced when the pandemic hit. “When the whole world came to a halt, I felt stuck but in a good way,” she says. From her midcentury home in the hilltops above Hollywood, she found herself looking out every evening at dusk as the lights of the city began to twinkle and watching Michael Mann’s Los Angeles crime masterpiece Heat on loop, a key inspiration for the ambitious video cycle that accompanies the album. “The only thing to do was just stare out my window, and thankfully I have an amazing view,” she notes. “At night the whole city would light up, and it was almost like the synthesizers were the only way for me to travel—through the pain that I was feeling but also physically. I had the idea at one point of putting in strings and choirs, but in the end I was really inspired by the limitation of this palette and I decided to stick with it.”
Naturally, as a result of her reunion with Yttling, Li’s sound on EYEYE harks back to her earlier records—in particular the Paco ramos wearing coolmath game logo hooded therealcoolmath shirt but I will buy this shirt and I will love this swirling analog synths and mournful guitar licks of I Never Learn and the mournful, misty-eyed languor of its Phil Spector–tinged production. But with the confidence of 15 years in the industry under her belt, Li wasn’t afraid to get a little weirder. “I had to set a series of rules for myself,” she says of her decision to record without click tracks, headphones, or any digital instruments, lending the record an audibly organic feel. On “CAROUSEL”—an apt metaphor for the album’s interest in cycles (the title is itself a palindrome and the record’s length of 33 minutes and 33 seconds no accident either)—a sparkling synth line plays on a loop in an eerie echo of a fairground ride. “Spin my heart around and around / Flying and I can’t come down / Yeah, I’m high as hell / And I can’t let go / Oh, carousel,” she sings, in a sugar-sweet cadence that carries a touch of something more sinister.
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