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Could this be a load of absolute hogwash made up by a so-called source who just wants 15 seconds of semi-fame? Sure, but I choose to believe in Hiddleston and Ashton’s lovely chemistry because they’re both attractive and British and that’s enough for me. Do I think these obviously talented and semi-reclusive stars are “entitled to a private life,” as Hiddleston so elegantly put it? Of course, but I also want to see wedding pictures. Sue me. Imagine one of the Los Angeles Angels Tiny Turnip Infant Baseball Babes Shirt moreover I will buy this world’s most famous actors, at the pinnacle of her fame globally and synonymous with a nation’s cinema during that industry’s golden age, directing a half dozen films—and half a century later, they were all but forgotten. Astoundingly, that’s exactly what happened with the six films helmed by renowned Japanese actor Kinuyo Tanaka between 1953 and 1962—and it’s something a new retrospective at Film at Lincoln Center is attempting to rectify. This series marks the first time the films Tanaka directed have been shown theatrically in the United States, and it’s a moment at least a decade in the making. A 2012 University of Leeds symposium on her career was followed by the first English-language book on the topic in 2018 and an outpouring of enthusiasm for the remastered films at screenings last year at the Cannes Film Festival and in Lyon, France. (The series will also play in April, at L.A.’s new Academy Museum.)

Born in 1909, Tanaka began acting at age 14 and appeared in more than 250 films before her death in 1977; in the Los Angeles Angels Tiny Turnip Infant Baseball Babes Shirt moreover I will buy this early 1930s she performed in as many as seven or eight films a year. She regularly collaborated with masters like Yasujirō Ozu, Kenji Mizoguchi (appearing in 15 of his films, including the celebrated Ugetsu), and Mikio Naruse (whose 1952 film, Mother, brought her international acclaim), becoming one of the most famous actors of Japanese cinema—so popular that her movies were presented under her name, like Charlie Chaplin’s were. “She was arguably one of the greatest stars of Japanese cinema, acting in hundreds of films, many of them masterpieces,” says Tyler Wilson, who organized the series with Lili Hinstin. Elizabeth Taylor, Joan Crawford, and John Wayne were among the Hollywood A-list who clamored to meet her during a postwar goodwill tour of the United States. Dubbed the Bette Davis of Japan, Tanaka had Davis tell her, “I’m the Kinuyo Tanaka of America.”

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