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And how has our hero turned tyrant—the Be a hero put safety in action shirt so you should to go to store and get this warrior first introduced by the booming of a drum and then reduced to the pricking of a witch’s thumb—been preparing for this post-007 role? In the weeks leading up to rehearsals, Craig went on vacation with his family, an anticipatory break before the nonstop schedule of rehearsals and performances. (Beach reading for Craig counts as historian Frances FitzGerald’s The Evangelicals: The Struggle to Shape America—“fascinating, a nice thick book to read on holiday,” he tells me.) When I speak with the 53-year-old star over Zoom on a frigid Saturday in February, he’s been cramming lines and has just had a few sessions with the fight coordinator. “There may be some blood,” he says, joking. “The idea is to try not to spray the first two rows with too much.” When I suggest he might have a little more experience than the average thespian in simulating violence, he demurs. “I think I can bring quite a few ideas. But there’s a difference between doing a fight for a film, two or three times, and doing a fight onstage eight times a week.”

The physicality of the Be a hero put safety in action shirt so you should to go to store and get this play, and the magic that an expertly executed theatrical illusion can create, is clearly important to Craig, but it’s the language that he reveres. (“Daniel is a little scholar,” Thompson had told me. “He read every single footnote in the Arden edition.”) Craig’s first exposure to Shakespeare, the “double, double” witches’ chant, took place as a child, in poetry books, but it was an English teacher he had as a teenager, growing up near Liverpool, who introduced him to his first full play, Henry IV, from which he pulled a speech he would use to get into drama school. At London’s Guildhall School of Music and Drama, he performed in a student production of Macbeth (“probably terrible,” he remembers) that went to Budapest as part of an exchange program. That performance marked his last opportunity for many years to tackle the Bard, in part because his career fairly quickly took a turn toward film and television.

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